Chord progressions

Chord progressions

A chord progression is the order chords come in, repeated bar after bar under a song. A handful of them carry most of pop, and each has a name in Roman numerals so it can be played in any key. Each card below plays: pick a key, pick a style, press play.

I–V–vi–IV “1 5 6 4”

The four chords under half of pop. In C: C, G, Am, F.

  1. IC
  2. VG
  3. viAm
  4. IVF

Every key, five styles and the songs that use it

vi–IV–I–V “6 4 1 5”

The same four chords, started from the sad one. In C: Am, F, C, G.

  1. viAm
  2. IVF
  3. IC
  4. VG

Every key, five styles and the songs that use it

Learn harmony by ear

Mood without music theory. Chords, major and minor, the key, home and away, and colour notes, each with something to play. Unit 1 is free with a Google sign-in.

Pick up where you left off

Carry on with Unit 1; chords come in Unit 4: Harmony.

Unit 4: Harmony Continue learning

What the Roman numerals mean

A key has seven notes, and a chord can be built on each of them. The numerals count those chords from the key’s home note: I is the chord on the first note, IV on the fourth, V on the fifth, vi on the sixth. Capital numerals are major chords, small ones minor, so in C major the seven are C (I), Dm (ii), Em (iii), F (IV), G (V), Am (vi) and B° (vii°).

Naming chords by number means a progression is the same shape in every key: I–V–vi–IV is C, G, Am, F in C major and G, D, Em, C in G major. Singers pick the key that suits their voice; the progression doesn’t change. The key selector on each card does exactly that.

Which progression you pick matters less than you might think. The styles on each page prove it: the same four chords are a ballad with piano on the beat, house with stabs off the beat, and trap with a long dark pad, because the drums, the bass rhythm and the sounds carry the genre.