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Genre

Reggaeton

Reggaeton is a Latin dance style at about 88–100 BPM built on the dembow rhythm: a kick on every beat and a snare that falls just before and just after the beats. It grew in Puerto Rico and Panama in the 1990s from dancehall and hip hop.

The loop

95bpm
4 bars
Kick
Snare
Hatseighths
Bass3-3-2
Chordspad
Epluck
D
C
A
  1. Bar 1Am
  2. Bar 2F
  3. Bar 3C
  4. Bar 4G

Four bars over Am, F, C, G. Mute a track or solo it to hear what each part does; tap any box to change it.

The recipe

The patterns this loop is made of. Point at one, or tap Show, to light up its lanes on the grid.

Also in the loop: quiet eighth-note hats; a soft pad holding each chord.

How it fits together

The kick is steady; the snare is the hook. Its “ch-boom-chick” is the tresillo’s 3-3-2 shape, and here the bass plays the same 3-3-2 so the whole low end sways.

Over that groove the melody is often a short call and response, easy to sing back.

The loop in words

  • Kick: steps 1, 5, 9 and 13 of 16.
  • Snare and clap: steps 4, 7, 12 and 15 of 16.
  • Hats: quiet on 1, 3, 5, 7, 9, 11, 13 and 15 of 16.
  • Bass: steps 1, 4, 7, 9, 12 and 15 of 16.
  • Chords: step 1 of 16, each held for 16 steps.
  • Lead: E5 on steps 1 and 17 of 32, each held for 2 steps; D5 on steps 4, 11 and 20 of 32, notes held for 1 and 6 steps; C5 on steps 7 and 23 of 32, each held for 2 steps; A4 on step 27 of 32, each held for 6 steps.
  • Chords: Am, F, C, G, one bar each, in A minor.
  • Tempo: 95 BPM, no swing.

How to ask an AI music tool for it

Name the patterns instead of the genre alone. These are the words that describe reggaeton precisely; use the ones you can hear in your reference.

SayIt means
dembow rhythmsteady kick with a syncopated snare
tresillo, 3-3-2the uneven split the snare and bass follow
sub bass on the 3-3-2a deep bass in the same rhythm
call-and-response hookone phrase asks, the next answers
88–100 BPMthe tempo

Why pattern names give you control over generated music

Neighbours

Genre

House

120–128 bpm

A kick on every beat, everything else in the gaps

Signature: Four-on-the-floor

Keep the kick on every beat, speed up to 124 and move everything else to the off-beats.

Genre

Trap

130–150 bpm

A half-time snare, rolling hats and a sliding 808

Signature: Half-time snare

Same chords and the same minor mood; the snare moves to beat 3 and the bass becomes a sliding 808.

Make reggaeton yourself

The course starts with the beat under every genre and builds up from there. Unit 1 is free: sign up with Google and start the first lesson in your browser.

Pick up where you left off

Carry on with Unit 1; the parts of reggaeton come one chapter at a time.